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St jerome penitent lotto


st jerome penitent lotto

This iconography of Jerome as a penitent nude was especially popular in northern Italy, particularly in the Veneto, beginning in the second half of the fifteenth century.
The painting is signed lauren/lotus in the lower right tract.
On remarque un livre près de lui, symbole de sa traduction.
L'œuvre est signée lotus ) et datée, mais le dernier chiffre (150.) est illisible.
Thus greater emphasis is given to such details as the small but poisonous asps near his feet, the grasshopper in the foreground, and the bird skeleton at lower left.L'œuvre se réfère à la période pendant laquelle l'auteur vivait.The bishop owned a number of books on Saint Jerome in his library.( isbn ) (it) Roberta D'Adda, Lotto, Skira, Milano 2004.Ainsi la représentation.Saint Jerome in Penitence.He has a long white beard and is holding a cross achat roulette casino en ligne gratuit in one hand and a stone in the other to hit himself on the chest in penance.It reflects the influence of German painting, which was very well known in Venice at the time.



Dürer de 1496, dont la composition est similaire ; les couleurs ont des nuances crépusculaires, la végétation inquiétante rappelle l'influence de l' École du Danube.
It is dusk and he is meditating on the Passion of Christ as recounted in the books that lay open before him.
However, no trace of this second work survives.Saint Jérôme a toujours été l'objet d'une grande dévotion pendant.Le saint est plongé dans un paysage sévère et désertique avec des rochers pointus et une composition en diagonales.This work may once have been part of the collection of Bernardo Rossi, Bishop of Treviso, who was the artist's patron.Bernardo de' Rossi (1468-1527) pour sa dévotion personnelle.Treviso, possibly commissioned by bishop, bernardo de' Rossi for private devotion.The isolation of the figure in the vast, wild, wooded landscape is exceptional in 16th century Italian art.In this first version, the main subject of the painting is in fact nature.It is traditionally ascribed to the painter's period.The size of the work and the relative insignificance of the human figure indicates that the work was intended for private worship.The Penitent St Jerome 1513-15, oil on panel, 56 x.


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